The Curious Case of Benjamin Button
Despite the hype, I wasn't prepared for the style of the storytelling in this movie. The fable-like quality threw me off from beginning to end, and I never ended up caring all that much about any of the characters. I was also extremely distracted by the CGI used to make the characters look younger. Classic case of hype-overload. (***)
Revolutionary Road
Adaptations rarely please me as much as this one did mainly because the book had such a darkness too it, and seeing it brought to life in a way that I'd pictured it made it brighter somehow. The performances were exceptional as was the production in general, but in the end it's still a tragic story about very unhappy people. Be forewarned. (****)
Across the Universe
There's something so satisfying about watching some of your all time favorite songs fictionalized on film. Normally I'm not a big fan of musicals, but for too many reasons to count, this one rocked! (*****)
No End in Sight
The list of very prominent insiders who agreed to be interviewed in this exposé on the US failure in Iraq is, in a word, staggering. I was left feeling like someone had just been slapping me across the face for an hour and a half. You know, in a good way. (*****)
Michael Clayton
Who doesn't love layered characters and a tense, gripping plot? Tilda Swinton's performance really knocked my socks off—all that lonely psyching herself up and the moment of her final realizations. Wow. (****)
Gone Baby Gone
It's extremely rare that a movie make me contemplate my own morality to the point where I'm still hashing it out weeks later. Such a complex tale with overlapping story lines and intense emotions—3 cheers for Ben Affleck (and his wonderful cast) for totally pulling it off! Can't wait to see what he directs next time around. (*****)
The Business of Being Born
As much as I wanted to love this documentary (such a passionate subject for me), I only just liked it, a lot. I wished it could have been more profound, made its point more absolutely and been a lot less NYC elitish. Classic case of my hopes being sky high. It was good. Watch it. (****)
Into the Wild
Profound, inspiring and beautifully acted, this movie about making the most of our humanity is both uplifting and sentimental. Emile Hirsch bowled me over again and again. Loved Eddie Vedder's soundtrack too. (*****)
Eagle vs. Shark
Jemaine Clement, of Flight of the Conchords fame, is brilliantly despicable in this black romantic comedy from New Zealand. But as his lovesick girlfriend (sweet Loren Horsley) slowly learns more about why he's such a schmuck, you can't help but smile, cringe and wish them well. (****)
Waitress
Such a sweet, deadpan, non-cliché fairytale with the ever-adorable Keri Russell, not to mention Nathan Fillion, who is pure perction as her OB/GYN lover. I found it refreshing to see a pregnant character struggling to connect with her baby and accept what the future has in store. (****)
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